심리학의 원리/심리학의 원리2
심리학의 원리/심리학의 원리2
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What almost certainly continues to be true, having said that, is that most Adult men have a fewer auditory and a more articulatory verbal creativeness than They may be apt to be aware of. The experiment proves how dependent our verbal imagination is on genuine feelings in lips, tongue, throat, larynx, and so on. The usually-obtained plan is that it's only a milder degree of the exact same process which came about in the event the thing now imagined was sensibly perceived. Believe me, who For most a thousand 12 months The same difficult meat have chewed and examined, That through the cradle to your bier No male The traditional leaven has digested! In favor in the sensationalistic or nativistic perspective of 1 this kind of scenario, see the critical paper by Von Kries, Archiv file. Whenever we appear to review hallucinations during the chapter on Outer Notion, we shall see this is on no account a matter of scarce incidence. A person blind of his visual brain-centres can no more see darkness out of the parts of his retina that are connected with the Mind-lesion than he can see it out on the skin of his back.
The most vivid touch-images come when we ourselves barely escape local injury, or when we see another injured. It would seem that in such a case the neural process corresponding to the imagination must be the entire tract concerned in the actual sensation, even down as far as the retina. Life somewhat better might content him, But for the gleam of heavenly light which Thou hast lent him: He calls it Reason--thence his power's increased, To be far beastlier than any beast. So far as I know there is only one other published report of a similar experience. Enter not so stall-fed quite, Like elephant-calves about one! A few monographs by competent observers, like Stricker, about their own peculiarities, would give much more valuable information about the diversities which prevail. Moreover there are no facts which oblige us to think that, within the occipital cortex, one part is connected with sensation and another with mere ideation or imagination. To most people the image is at first 'thick,' as the sound of the word would be if they tried to pronounce it with the lips parted. So of a baby crying in a distant part of the house, we are uncertain whether we still hear it, or only imagine the sound.
A great way of bringing the difficulty to consciousness is usually that proposed by Stricker: Partly open your mouth after which you can picture any term with labials or dentals in it, including 'bubble, 'toddle.' Is your graphic below these disorders distinct? The movements of articulate speech Enjoy a predominant component in his mental everyday living. I'll Engage in the comedy with artwork. The enigmatic reports in the influence of magnets and metals, even if they be because of, as a lot of contend, to unintentional recommendation on the operator's element, absolutely contain hyperæsthetic perception, for your operator seeks at the same time as feasible to hide The instant when the magnet is brought into Perform, and but the subject not merely finds it out that minute in a method obscure, but may well establish consequences which (in the very first instance definitely) the operator did not expect to find. The boy playing 'I spy,' the criminal skulking from his pursuers, the superstitious person hurrying through the woods or earlier the churchyard at midnight, The person missing from the woods, the Lady who tremulously has manufactured an evening appointment with her swain, all are subject to illusions of sight and seem which make their hearts conquer till They may be dispelled.
THE NEURAL PROCESS WHICH UNDERLIES IMAGINATION? This is inexplicable if the imagination be simply a weaker excitement of the sensational process. The truth seems to be that the cases where peripheral sense-organs are directly excited in consequence of imagination are exceptional rarities, if they exist at all. In persons whose auditory imagination is weak, the articulatory image seems to constitute the whole material for verbal thought. What you have no idea of you cannot miss; and their not definitely missing this great region out of their sight seems due to the fact that their very idea and memory of it is lost along with the sensation. A statistical inquiry on a large scale, into the variations of acoustic, tactile, and motor imagination, would probably bear less fruit than Galton's inquiry into visual images. Now we know that currents usually flow one way in the nervous system; and for the peripheral sense-organs to be excited in these cases, the current would have to flow backward. Were there centres for crude optical sensation below the cortex, the patients in these cases would still feel light and darkness.